of Horacio Vaggione. Curtis Roads. The composition of music has evolved into an interactive process of directly sculpting sound morphologies on multiple time. Horacio Vaggione is an argentinian composer of electroacoustic and instrumental music. He co-founded the Experimental Music Center of the University of. This article stresses the important contribution of Horacio Vaggione to inserting the computer within a musical project. The theoretical contributions of Vaggione.
|Published (Last):||21 May 2009|
|PDF File Size:||9.9 Mb|
|ePub File Size:||17.44 Mb|
|Price:||Free* [*Free Regsitration Required]|
An introduction to non-Western arts led to study of koto, Balinese gamelan, and Chinese calligraphy at University. Sat 09 Jun,8pm.
Horacio Vaggione / 51717
His compositions concern morphology the study of the forms of things by building sturdy structures from these minute grains, bringing the ear to a sonic world made up of atoms forming and reforming in their cohesion.
Voice, electronics, and a highly confrontational austerity is set against the backdrop of the mutant metropolitan city. In he undertook his first work in electro-acoustic music at the CIAL, the acoustics research centre of the Institute for mathematics and physics of the University of Cordoba Ceremonia for tape,then installed an electro-acoustic studio in his home.
Writings and research papers: Launched online inthe composer biography database is in continuous development. Writings and research papers: In a letter, Luis de Pablo then proposed, in Spain, the creation of an electro-acoustic studio financed by a patron and encouraged the horaio to join him. Lejaren Hiller introduced him to the work of Max Mathews on digital sound synthesis and gave him the computer programme codes that then enabled him to start his own work in this field.
Horacio Vaggione was born in in Moldes in the province of Cordoba in Argentina.
All show the same approach: From to he continued his apprenticeship at the Arts School of the National University of Cordoba with Olger Bistevins harmony and orchestration hoarcio, Carlos Gasparini counterpoint and organCesar Franchisena musical formJuan Carlos Fernandez history of music and Ornella de Devoto piano.
In he settled in Madrid, spending four years in Spain.
Electroacoustics to Carry Along
Bourges Prizes, Documentation available at Cdmc. As early as the s, Vaggione began coupling his compositional work with computation as a means of transposing digital concerns to the instrumental level.
He took charge of the electro-acoustic studio of the Centre for Experimental Music he had founded at the University of Cordoba Views Read Edit View history. Ars sonora, no 2. His works bridge the chasm between sound and structure by developing a multi-scaled temporal approach, achieved through networks of objects conceived as polyvalent symbolic entities.
Horacio Vaggione — electrocd — The Electroacoustic Music Store
Euphonie d’Or Bourges, Here, her work touches on implicit musical tensions between noise and silence, language and sound, material and transcendence — dichotomies that often form the binaristic conditions that are confronted and deconstructed within meditative and ritualistic practice. Please help improve it or discuss these issues on the talk page. At the same time he followed public classes at the faculty of philosophy and studied serial composition techniques composition with Juan Carlos Paz in Buenos Aires.
Show only female composers. Timpani has never been heard publicly. For Horacio Vaggione, composing is equivalent to the generation of veritable, unique events and their articulation within ever greater ensembles without the meaning of this unicity being lost. Skip to main content Skip to search. He also produced some radio broadcasts on contemporary music National Argentine Radio, During the s he visited the principal European electro-acoustic studios and experimented with digital sound synthesis as a scholar of the Fulbright Fund at the University of Illinois.