Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.
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Not only did he write the music, but he personally engraved the plates as well, claiming he could complete nine or ten a day.
There are two ways to view the overall structure of the collection: From Wikipedia, the free encyclopedia. Fantasias for Viola solo TWV Hence, the edition is public domain in its country of origin or a government publication. Hyperion offers both CDs, and downloads in a number of formats. Telemann’s violin fantasias exhibit mastery of not only compound melodic lines, but also of idiomatic telsmann for violin,  as Telemann himself was a self-taught violinist.
Having six strings and later seven and tuned in the same way as the lute gives the instrument the ability to express both lyrical melody and harmony with chords, and many composers sought to combine both elements.
July Total duration: Telemann’s solo flute fantasias are alone in the Baroque repertoire to include movements seemingly impossible on flute: More information about this can be found here.
This scheme does not resemble that of the twelve flute fantasies, which progress in a roughly stepwise direction from A major to G minor. But Its potential as a solo instrument was quickly realised and the first publication of solo music came in in Venice. Many of his publications came out in weekly or monthly installments, encouraging the public to continue buying until the particular work they wanted was complete.
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12 Fantasias for Solo Flute (Telemann)
This page was last edited on 22 Julyat The viol fantasiias were dedicated to Pierre Chaunell, a prominent and wealthy Hamburg business man, whose Huguenot family had fled France at the revocation of the Edict of Nantes in He exploits the character and the possibilities of each key, using more chords in the home keys—G, D, C and so on—and employing a more melodic style in those more remote keys.
Perhaps he already had Jean-Baptiste Antoine Forqueray telemnan mind when composing these fantasies? While the first two sets of solo fantasias were known and reprinted several times, the set for viol was lost. Although the first page says “Violino,” and even though every piece, like most Baroque flute music, is performable on the violin, these are the Telemann solo-flute Fantasias.
In Telemann had started the first music periodical, Der getreue Music-Meisterwhich appeared every fourteen days, and which contained all sorts of music, not all of it by Telemann.
Performer Pages Tokinori Yanagita baroque flute.
12 Fantasias for Solo Violin (Telemann) – Wikipedia
These file s are part of the Werner Icking Music Collection. Creative Commons Telenann 3. Problems playing this file? Barenreiter Verlag If so, the copyright claim is bogus as simple transposition completely fails to meet the threshold of originality required to qualify as a derivative work or adaptation.
Much of the music reveals the influence of Italian sonatas and concertos, but the typical gantasias of German solo violin music to rely on polyphony is still present: Fantasia 8, 1st mouvement m. Telemann deliberately avoided keys that are impractical on the one-key flute, i.
His facility in writing idiomatic instrumental music for almost all instruments then telemwnn use was legendary, and we can hear that clearly in his writing for the viol in these fantasias. In the s, he became very interested in the possibilities of writing for a solo instrument without any bass.
Unsourced material may be challenged and removed. Please obey the copyright laws of your country. And when he travelled to France in to present these works, he was ecstatic at the abilities of the great French virtuosos who played them: The same year, he published another set for viola da gamba, in the same format as the flute set, with mostly ascending keys, but starting at C.
12 Fantasias for Unaccompanied Viola | SHAR Music –
Inan arrangement for viola solo was published by Euprint. It is one of Telemann’s collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in —33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city inbut were considered lost until a copy of the print was found in a private collection in by viola da gamba player and musicologist Thomas Fritzsch.
Don’t show me this message again. The collection is arranged by keyprogressing more or less stepwise from A major to G minor. Retrieved from ” http: